Das Rheingold Prologue in 1 act of "Der Ring des Nibelungen" by Richard Wagner (1813 - 1883) Libretto by Richard Wagner Munich, Königliches Hof- und National Theater, 22 September 1869 Philharmonia Zürich Gianandrea Noseda (Direction) Andreas Homoki (Stage direction) Christian Schmidt (Set and Costume Design), Franck Evin (Lighting design) Tomasz Konieczny (Wotan) Xiaomeng Zhang (Donner) Omer Kobiljak (Froh) Matthias Klink (Loge) Claudia Mahnke (Fricka) Kiandra Howarth (Freia) Anna Danik (Erda) Christopher Purves (Alberich) Wolfgang Ablinger-Sperrhacke (Mime) David Soar (Fasolt) Brent Michael Smith (Fafner) Uliana Alexyuk (Woglinde) Niamh O'Sullivan (Wellgunde) Siena Licht Miller (Flosshilde) Zurich, Opernhaus, 18 May 2024

Itzhak Perlman (Violin) Lawrence Foster Vladimir Ashkenazy (Piano) Lynn Harrell (Cello) Bruno Canino (Piano) Pinchas Zukerman Philharmonia Orchestra Antonio Bazzini (1818-1897) Dance of the Goblins Pablo de Sarasate (1844-1908) Zigeunerweisen, op. 20 Jean-Sébastien Bach (1685-1750) Partita for solo violin no.3 in E major, BWV 1006 (Gavotte en Rondeau) Ludwig van Beethoven (1770-1827) Trio for piano and strings in E Flat major, op. 70 no.2 Scott Joplin (1868-1917) / Itzhak Perlman (1945) The Ragtime Dance (for violin and piano) Jean-Sébastien Bach Partita for solo violin no.3 in E major, BWV 1006 (Prelude) Ludwig van Beethoven Sonata for violin and piano no.10 in G major, op. 96 Henryk Wieniawski (1835-1880) Études-Caprices for two violins, op. 18 n°4 in A minor Antonio Vivaldi (1678-1741) Violin concerto, strings and bass, op. 8 no.4 in F minor " Winter ", RV 297 Antonio Bazzini Dance of the Goblins Réalisé par : Christopher Nupen 1978

Itzhak Perlman (violin), Daniel Barenboim (piano) Johannes Brahms 1833 - 1897 Violin Sonata No. 1 in G major, op. 78 1989 Directed by Janos Darvas

Itzhak Perlman (violin), Daniel Barenboim (piano) Johannes Brahms 1833 - 1897 Violin Sonata No. 2 in A major, op. 100 1989 Directed by Janos Darvas

Itzhak Perlman (violin), Daniel Barenboim (piano), Dale Clevenger (horn) Johannes Brahms 1833 - 1897 Violin Sonata No. 3 in D minor, op. 108 Trio for Violin, Horn and Piano in E-flat major, op. 40 1989 Directed by Janos Darvas

Itzhak Perlman (violin) Philharmonia Orchestra, Lawrence Foster (Conductor) Johannes Brahms (1833 - 1897) Violin Concerto in D, Op. 77 London, 1978 Directed by Christopher Nupen

The Feeling of Going is a large-scale, visually stunning theatre production by choreographer Ben Wright, set to the mesmerizing album GO, by Sigur Rós frontman Jónsi. Recorded at Malmö Opera, Sweden in 2017.

Lucerne Festival Orchestra, Claudio Abbado (conductor) Yuja Wang (piano) Sergei Prokofiev (1891-1953) Piano concerto No. 3 in ut major, op. 26 Gustav Mahler (1860-1911) Symphony No. 1 in D major, \"Titan\" Lucerne Festival Hall, Switzerland, 2009

Musical interludes: a chance to see some of the world's most renowned conductors and musicians performing beautiful pieces.

I Capuleti e i Montecchi "Tragedia lirica" in two acts by Vincenzo Bellini (1801 - 1835) Libretto by Felice Romani First performance in Venice, Teatro La Fenice, 11 March 1830 Chorus and Orchestra of the Opéra Royal de Wallonie-Liège, Maurizio Benini (conductor) Allex Aguilera (Director, Sets) Françoise Raybaud (Costumes), Luis Perdiguero (Lights), Arnaud Pottier (Video) Raffaella Lupinacci (Romeo) Rosa Feola (Giulietta) Maxim Mironov (Tebaldo) Adolfo Corrado (Lorenzo) Roberto Lorenzi (Capellio) Liège, Opéra Royal de Wallonie, 21 and 23 May 2024

Boléro Choreography by Maurice Béjart With Maya Plisetskaya Les ballets du XXème siècle. Recorded on 1977 TV Director, Willy Botteldoorn

Musical interludes: a chance to see some of the world's most renowned conductors and musicians performing beautiful pieces.

Shai Maestro Quartet: Human Shai Maestro (piano), Ofri Nehemya (drums), Jorge Roeder (double bass), Philip Dizzck (trumpet) Nancy, 10 September 2021, Headoffice of the newspaper 'L'Est Républicain' Directed by Nathan Benisty

"Medusa" Felipe Cabrera (double bass, composition) Leonardo Monatana (piano) Lukmil Perez (drums) Judith Sánchez Ruiz (choreography, dance) The music of "Medusa" was born in Havana, during a 110-day lock-down when Felipe Cabrera found himself alone in the country that saw him grow up. Pillar of the great Cuban jazz school, the double bassist based in Paris has decided to turn his accidental return to his native country into art in times of pandemic. While Cuba was completely closing in on itself to absorb the global disruption, he composed five superb musical pieces, which he created for Banlieues Bleues with his faithful trio and a distinguished guest, also from Cuba, the choreographer and dancer Judith Sanchez Ruiz. Recorded at the Salle Jacques-Brel (Pantin) on March 19, 2021, as part of the 38th Banlieues Bleues festival, Directed by Guillaume Dero

Estival Jazz, Jimmy Witherspoon quartet Rozaa Wortham recorded in 1985, Lugano, Swiss TV director, Sandro Pedrazzetti

Mel Lewis Orchestra Jazz Estival Mel Lewis (drums) Simo Salminen (trumpet) Ted Nash (saxophone) Kenny Werner (piano) John Marshall (trumpet) Joe Mosello (trumpet) Joe Lovano (saxophone) Jerry Dodgion (saxophone) Earl Gardner (trumpet) Dennis Irwin (doublebass) Recorded in 1985, Lugano, Swiss Tv director, Sandro Pedrazzetti

Musical interludes: a chance to see some of the world's most renowned conductors and musicians performing beautiful pieces.

Ensemble Intercontemporain Roberto Negro (piano), Michele Rabbia (percussions), Nicolas Crosse (double bass) Mathieu Pion (sound engineer), Caty Olive (lighting) Roberto Negro (né en 1981) Newborn, for trio and ensemble Mulhouse, La Filature, 7 November 2022 Directed by Patrick Lauze

Orchestre symphonique de Montréal, Rafael Payare (conductor) OSM Chorus, Andrew Megill (chorus master) Dorothea Röschmann (soprano) (Tove) Clay Hilley (tenor) (Waldemar) Karen Cargill (alto) (Waldtaube) Stephan Rügamer (tenor) (Klaus-Narr) Thomas E. Bauer (baritone) (Bauer) Ben Heppner (speaker) Arnold Schoenberg 1874 - 1951 Gurre-Lieder Montreal, Maison symphonique, 13 September 2024

Götterdämmerung Third day in three acts of "Der Ring des Nibelungen" by Richard Wagner (1813 - 1883) Libretto by Richard Wagner Bayreuth, Festspielhaus, 17 août 1876 Philharmonia Zürich Gianandrea Noseda (conductor) Andreas Homoki (Stage direction) Christian Schmidt (Set and Costume Design), Franck Evin (Lighting design) Klaus Florian Vogt (Siegfried) Daniel Schmutzhard (Gunther) Christopher Purves (Alberich) David Leigh (Hagen) Camilla Nylund (Brünnhilde) Lauren Fagan (Gutrune) Sarah Ferede (Waltraute) Freya Apffelstaedt (Erste Norn) Lena Sutor-Wernich (Zweite Norn) Giselle Allen (Dritte Norn) Uliana Alexyuk (Woglinde) Niamh O'Sullivan (Wellgunde) Siena Licht Miller (Floßhilde) Zurich, Opernhaus, 26 May 2024

Wiener Philharmoniker, Franz Welser-Möst (conductor) Paul Hindemith 1895 - 1963 Konzertmusik for wind orchestra, op. 41 Richard Strauss 1864 - 1949 Symphonic Fantasy from "Die Frau ohne Schatten" Arnold Schönberg 1874 -1951 Variations for orchestra, op. 31 Maurice Ravel 1875 - 1937 La Valse, Poème chorégraphique pour orchestre Directed by Dominik Kepczynski Vienna, Musikverein, 24 February 2024

Orchestre Philharmonique de Strasbourg, Aziz Shokhakimov (conductor) Chœur de l'Orchestre de Paris, Richard Wilberforce (chorus master) Pretty Yende (soprano), Ludovic Tézier (baritone) Johannes Brahms 1833 - 1897 Ein deutsches Requiem, op. 45 Festival de Saint-Denis, 5 June 2024

The Trial Ballet by Mauro Bigonzetti inspired by Franz Kafka Mauro Bigonzetti (Choreography, costumes) Carlo Cerri (Sets) Soloists and corps de ballet of The Czech National Ballet Antonio Bononcini, Dietrich Buxtehude, Henryk Górecki, Carlo Gesualdo, Tarquinio Merula, Claudio Monteverdi, Modest Petrovich Mussorgsky (Music) Prague, The Estates Theatre, 26 February 2022 TV director, Patrick Lauze

Michael Beyer"Lucerne Festival Orchestra, Claudio Abbado (direction) Schweizer Kammerchor Bryn Terfel (bariton), Rachel Harnisch (soprano), Eteri Gvazava (soprano) Richard Wagner ""Wotans Abschied und Feuerzauber"" from Die Walküre Claude Debussy Le Martyre de Saint Sébastian (suite) La mer, trois esquisses symphoniques Directed by Michael Beyer Recorded at the Lucerne Festival in 2003.

Arabella "Lyrische Komödie" in three acts Richard Strauss (1864-1949) Libretto by Hugo von Hofmannsthal First performance at Dresden, Sächsisches Staatstheater, 1 July 1933 Principal Chorus and Orchestra of the Teatro Real, David Afkham (conductor) Andrés Máspero (Chorus Director) Christof Loy (Stage Direction) Herbert Murauer (Stage and Costume Design), Reinhard Traub (Lighting), Thomas Wilhelm (Choreography) Jacquelyn Wagner (Arabella) Sarah Defrise (Zdenka) Martin Winkler (Count Waldner) Anne Sofie von Otter (Adelaide) Josef Wagner (Mandryka) Matthew Newlin (Matteo) Dean Power (Count Elemer) Roger Smeets (Count Dominik) Tyler Zimmerman (Count Lamoral) Madrid, Teatro Real, 9 February 2023

Musical interludes: a chance to see some of the world's most renowned conductors and musicians performing beautiful pieces.

Pianomania at the Bouffes du Nord Theatre Edouard Ferlet, Leïla Olivesi, Benjamin Moussay, Cheick Tidiane Seck, Giovanni Mirabassi, Chassol, Pierre de Bethmann, Mario Canonge, Clelya Abraham, Bernard Lubat, Grégory Privat, Laurent de Wilde, Alain Jean-Marie (piano) Paris, Théâtre des Bouffes du Nord, 20 November 2022 Directed by Samuel Thiebaut

Cécile McLorin Salvant (vocals) Montreal International Jazz Festival, Monument National, Canada, July 2, 2022 TV director, Sîla.

Musical interludes: a chance to see some of the world's most renowned conductors and musicians performing beautiful pieces.

Electronic Vibrations - A sound changes the world Whether techno or hip-hop - electronic music is nowadays the driving force of pop culture. We have almost forgotten that its origins lie in the WDR's electronic studio, which made Cologne to one of the centres of the avant-garde during the post-war years. This is the story of how a room full of strange devices would become a cabinet of curiosities, the vibrations of which sent the whole world in a state of ecstasy. From the beginnings directly after the Second World War in Paris with Pierre Schaeffer's 'musique concrète', the film focuses on Stockhausen and goes on to Kraftwerk, from Jean-Michel Jarre and the IRCAM studio right up to Detroit to the beginnings of techno. Directed by Thomas von Steinaecker